World-Building Project Final

Reflection

For an uncreative mind, building a world was no easy feat for me. All of my ideas, even in the final world I chose, seemed generic. They weren’t new ideas, but rather, recycled ones with a small twist here and there. So, in order to make the decisions for this final world, I had to gather some inspiration. For me, those came from TV shows and movies. For example, as a fan of the Hunger Games series, I recycled the polarizing relationship between the Capitol and the districts, or in other words, the typical conflict of the rich vs. the poor. Also, I enjoy the TV show, The Medici; therefore, it became the inspiration for Cerulean’s “Florence during the Renaissance” description. I also used TV shows ideas I’ve never watched as well, but only heard of. For example, the primitive lifestyles of the Wysterians came from my original perceived idea of the TV show, The 100. I’ve never watched the show, much less a trailer; however, the posters of the show, at least for me, showcases a group of people trying to survive off very little. The entertainment industry is filled with great ideas. As a supporter of the industry, it comes to no surprise that I would take inspiration from them.

Although most of my ideas came from the entertainment industry, I also used inspirations from my life experiences as well. I’ve always liked the beach and the water. In fact, I have wished I could live underwater more than a few times in my life. As a young kid, when I would go swimming, I use to imagine I was a mermaid and tried to live my dream underwater life. In addition, I was also inspired by my personal like for the myth of the sunken city, Atlantis. I’ve always wanted to believe it true. For these reasons, I created the world of Startisa and the city of Cerulean for the mermaid-like Startisans. In some ways, the world I built is what I wished was my reality.

In literature, for the world to have reality, rhetoric must be used to create the verisimilitude of my fantasy world. My first decision I made regarding this concept was choosing the write my world as a creative piece—almost as if I was writing a book. The next critical decision was to help me write this “book.” I have no experience in writing non-fiction, much less creating a fantasy world. So, to gather some rhetoric I could use, I looked to a recent excerpt I read: the first three chapters of Children of Blood and Bone by Tomi Adeyemi. When I read this excerpt, I was simply amazed by the book. Therefore, I assume it must have well-thought-out rhetoric. In some ways, I’ve tried to mimic it. For example, I start of the book with an aside from a character within my “book.” I continue with this character throughout this project as commentary and clarification to my description of the world. As one of the cursed ones, this character adds ethos to my own description of the world, much like Adeyemi did with Mama Agba. (Refer to my Reading Response #1 for more explanation.) In my opinion, my choice of using this type of rhetoric and writing style has helped me convincingly write about my world. Thank you, Tomi Adeyemi, for the help.

As for my own use of rhetoric, the most notable one I implemented was my shifts in tone, as I talked about Wysteria and Startisa. For example, when describing Wysteria, I used negative connotative words, such as “grotesque” and lots of negatives, such as “never,” “much less,” and “impossible.” In contrast, when describing Startisa, I bring up the idea of light and words indicating plenty and life, such as “plentiful,” “littered,” and “teeming.” These choices allowed me to paint Wysteria, as the lesser of the two, and Startisa, as the better world. Eventually, I almost reversed these descriptions when describing Wysteria’s new rise and Startisa’s decline. These rhetorical choices help further the distinctions of rich vs. poor, old vs. new, and furthermore, good vs. evil. Such skills of choosing the right words to say and when to say it has significant advantages as well in real life. For example, choosing one’s words and tone in an interview or networking event could mean the difference of a job offer or walking away empty-handed. It can completely change how people see you as a first impression. Are you good or evil? Are you confident or nervous? These are just some of the few things an employer can tell just by the way you choose to speak. Tone and word choice are incredibly important, whether it’d be writing a book or interviewing a job. It is an incredible tool and mastering it could do no harm.

Project

The cursed ones. The ones who didn’t evolve. Why was I born like this? 

Long before the current times, the world of Wysteria was peaceful and fair, but that did not mean it was not an easy life. The people of Wysteria lived like a caveman, playing the survival game every day. Wysteria’s land was very primitive. It was mostly water with a few scattered islands of practically uninhabitable land. All of the available land totaled to the size of current Australia. The islands of land were either mountainous range with peaks beyond the naked eye, or a dense forest teeming with the unknown. Those who chose to live on the mountains suffered year-round cold weather as the sun was far below them. And those who lived in the dense forest lived in constant thick fog conditions as the clouds laid on the forest floor. Yes, unlike your world, the clouds rested on the surface of the land, and the sun hibernated under the water. Wystreia may have existed for millions of years, but new technology was never developed. The inconvenience station of the sun made it impossible to farm the land, much less allow natural vegetation to grow or animals to thrive. On land, the only food source were the rodents, skittering across the land and surface of the water. While the land had nothing, the water had an abundance of food. The sun shined into the water, allowing a plentiful of natural vegetation to thrive. Along with vegetation, it was home to wonderous and herds of sea animals. Crustaceans littered the water’s floor. Fish was always in abundance. Sea turtles and whales roamed the water in large herds. Sealions and dolphins zipped around the water with speed and ease. Everything was under the water. In order to survive, the Wysterian people lived off the water mostly. However, their reach into the water was severely limited by human breath. Every day, Wysterians dived into the water and gathered their food for the day, whether it’d be a small fish near the surface or even, just the tips of the blades of seaweed. They got progressively better in the water, but nowhere near the capabilities to pick up a lobster on the water’s floor or catch tastier fish further below the surface. For the longest time, Wysteria’s people lived in hardship, never knowing what tribulations and food, if any, the day will bring.

Over time, their constant reliance and expertise in the water led to the Wysterian’s people evolution. The period of evolution was known as the Curse Lifting. For those who evolved, it represented the end of their struggle. Their evolution gave them powerful webbed feet to propel them throughout the water at alarming speeds and the ability to breathe underwater indefinitely. No longer were the difficult days of swimming in the vast oceans for hours for just a bit of food or the agonizing wait for traps to fill up. Now, they could go further and for longer underwater. They were able to catch larger fish that lasted the typical Wysteria family a whole day, or sometimes, even longer. Even more incredible, with their newfound abilities, Wysterians were able to wrestle with whales in the water and win. Whales, with an abundance of meat, skin, bone, and fat, were rare, and catching one was no easy feat. However, the reward allowed a family to live in a comatose food state for months and materials to survive the land’s terrain and weather for years to come. If a family caught a whale, they were considered royalty. At least, back then, they were kind and shared their benefits to unfortunate ones like me. Why couldn’t they be like that today? Life on Wysteria drastically improved and no longer bound to everyday struggle, the people were much happier.

Soon enough, it no longer made sense to live on land. Their new abilities allowed them to choose life underwater, plus everything they needed was also there. Evolved Wysterians grasped at the opportunity and moved off the land into the water. A new world, below the water, became the norm, and life was much easier and prosperous. Down there, they were able to enjoy more space and warmer weather, provided by the undersea sun. This underwater world and mermaid-like people became known as Startisa and the Startisans. Although Startisans lived throughout the water, most of them lived at Startisa’s epicenter, Cerulean. Cerulean was like Florence during the Renaissance; it was filled with incredible things and ideas. It was also the center of commerce. Every good available could be found here. Buildings in Cerulean, crafted by strong coral and limestone, towered and housed businesses and its people. Life in Cerulean was modern. New ideas flowed. Technology developed. Culture created. Just as life improved on land due to their evolution, the quality of life significantly improved to new heights in Startisa, especially in Cerulean.

Cerulean seems so beautiful! Only if I could live there. However, an unfortunate few did not evolve. Known as the cursed ones, they were still bound to the hard-knock life of Wysteria’s land. Life would have been the same as the primitive years, but Startisa threatened their way of life. Startisans heavily discriminated against the cursed ones. They aimed to hurt, instead of providing aid to their unfortunate counterparts. Startisa banned the cursed ones from using the water for food. Now, their only food source were the grotesque rodents from before. Not only were they hard to catch, but they also provided not nearly enough food and materials. Illegal harvesting and hunting of the water’s resources became common and resulted in many unnecessary deaths by the hands of Startisans. We are of the same people! How could they be so cruel? Due to such food scarcity, the land was a dangerous place, ridden with crime and constant stealing. It was every man for themselves on Wysteria. With more struggles, life was harder now than before the Curse Lifting. The remaining land people longed for their evolution to come, so they may be relieved from the chains of Wysteria’s curse. But it never came.

As hard times went on, Wysteria’s cursed one became restless. Wysteria and its people were angry at Startisa. Incredibly angry at Startisa. Fed upWysterians began dumping their trash and feces into Startisa and Cerulean. Disrespect, you say? Well, we were disrespected first! When the injustice did not stop, tension grew even higher between the two worlds. In retaliation, the cursed ones brought upon an act of war against Startisa. With the abundance of clouds on land, Wysterians used them to their advantage and moved them, effectively clouding the sun. Startisa no longer was enlightened by the sun. Now in complete darkness, the one grandiose water world started failing. Sealife plants and animals died one by one. Cerulean life halted and became eerily quiet. Unrightfully so, Startisans became angrier with the Wysterians. As tensions continue to grow, Wysteria and Startisa edged towards the brink of war. War!

Unbeknownst to them, the war would be devastating for both Wysteria and Startisa. Wysterian cursed ones were skilled in survival. No Startisan could compare to a Wysterian in strategy and combat. Startisa may have weapons technology, but they no longer had the means to upkeep and use them without the sun’s light. Both were disadvantaged and equally advantaged on land or in water, respectively. This could very much be a war with no end, and even if it does, there will only be misery and destruction at the end of it. You are right! War is not the answer! I must stop this! What must I do?

Why Children’s Books are for Grownups too?

I am a firm supporter for children’s book and literacy in young kids. My experience with children’s book when I was younger was just fantastic. I loved them. So, in order to help promote children’s love for children’s book, I bought mini-sized chairs and painted them bright colors to welcome and encourage reading among the youth. Now, only if that space was also for adults as well. As a young adult now, it is embarrassing to walk through the children’s book aisle. However, like Katherine Rundell points out in “Why Children’s Books Are for Grownups too?”, children’s books have “great, sustaining truths to which we can return” to and make sense of the complicated real world. There is much one can learn form children’s book. One of my English high school teachers agreed wholeheartedly with this notion. Occasionally, she would read us a children’s book and link it to the current piece we were reading, whether it’d be a heavy historical fiction novel or a Shakespearean play. For example, when reading Grapes of Wrath, my teacher read us the Where the Wild Things Are to help us understand the feelings of adventure and the unknown experienced by the Joad family. These complicated reads, although not for children, are still heavily based on the values we learned from children’s book. Children’s book taught us to enjoy books, so why can’t we go back to them so we can enjoy reading again. With less and less people reading books every day, the idea of children’s book are for grown-ups too must take off and be accepted. Go take a walk in the children’s book aisle again and rediscover what it is to be a child again.

Understanding Rhetoric

Rhetoric is very persuasive. In some ways, a person’s rhetoric is a part of them, and one can learn much by observing it. In “Understanding Rhetoric,” the focus of rhetoric is placed on one’s speech and writing. However, rhetoric can be seen in one’s appearance through the power of makeup.

The way a person wears his/her makeup can show who they are and their personality. In the case of ethos, depending on how a person wears their makeup, it could be a symbol of credibility. People are willing to trust someone that has a clean face of makeup since they will appear more put together than someone who has caked up their face. The pathos of makeup is seen in how one feels when they put it on. For most, putting makeup on increases the confidence of a person as they go about their day. This newfound confidence shows itself in their speech and actions. The logos and kairos of makeup share the issue of the appropriateness of makeup. If one was going to a big event, makeup is a necessity. On the other hand, if one was at home, is makeup really necessary? Also, one’s makeup should match the occasion. It is unprofessional to wear heavy, flashy makeup to work. Just like speech and text, makeup can be just as powerful and develop a person’s rhetoric.

Some Assumptions about Fantasy

In “Some Assumptions about Fantasy”, Ursula K. Le Guin notes that too many characters of fantasy literature are white. Despite its money-making capabilities, today’s political climate does not allow for this. If not corrected, the genre will be criticized heavily. In order to protect its reputation, fantasy needs to develop diverse characters. In recent years, the film industry has revolutionized itself in order to meet new demands for diversity. Change occurred in 2018 when top-ranking films, such as Black Panther and Crazy Rich Asians, were applauded for their diverse casts. So, when the original Frozen movie lacked diversity, Disney attempted to correct the issue with the sequel in 2019 by introducing characters with indigenous backgrounds. Change takes time, but the world applauds the industry for its effort. Fantasy literature has the potential to be seen as a changing genre. Its writers should follow the film industry’s lead and start bringing diversity into fantasy.

World-Building Project Draft

Reflection

            For an uncreative mind, building a world was no easy feat for me. All of my ideas, even in the final world I chose, seemed generic. They weren’t new ideas, but rather recycled ones with a small twist here and there. So, in order to make the decisions for this final world, I had to gather some inspiration. For me, those came from TV shows and movies. For example, as a fan of the Hunger Games series, I recycled the polarizing relationship between the Capitol and the districts, or in other worlds, the common conflict of the rich vs. the poor. In addition, I also enjoy the TV show, The Medici, therefore, it became the inspiration for Cerulean’s “Florence during the Renaissance” description. I also used TV shows ideas I’ve never watched as well, but only heard of. For example, the primitive lifestyles of the Wysterians came from my original perceived idea of the TV show, The 100. I’ve never watched the show, much less a trailer; however, the posters of the show, at least for me, showcases a group of people trying to survive off very little. The entertainment industry is filled with great ideas, and as a supporter of the industry, it comes to no surprise that I would take inspiration from them.

            Although most of my ideas came from the entertainment industry, I also used inspirations from my life experiences as well. I’ve always liked the beach and water. In fact, I have wished I could live underwater more than a few times in my life. As a young kid, when I would go swimming, I use to imagine I was a mermaid and tried to live my dream underwater life. In addition, I was also inspired for my personal like for the myth of the underwater city, Atlantis. I’ve always wanted to believe it true. For these reasons, I created the world of Lysteria and the city of Cerulean for the mermaid-like Lysterians. In some ways, the world I built is what I wished was my reality.

            In literature, in order for the world to have reality, rhetoric must be used to create the verisimilitude of my fantasy world. My first decision I made, in regard to this concept, was choosing the write my world as a creative piece—almost, as if, I was writing a book. The next critical decision was to help me write this “book”. I have no experience in writing non-fiction, much less creating a fantasy world. So, to gather some rhetoric I could use, I looked to a recent excerpt I read: the first three chapters of Children of Blood and Bone by Tomi Adeyemi. When I read this excerpt, I was simply amazed by the book, therefore I assume it must have well-thought out rhetoric. In some ways, I’ve tried to mimic it. For example, I start of the book with an aside from a character within my “book”. I continue with tis character throughout this project as commentary and clarification to my description of the world. As one of the cursed ones, this character adds ethos to my own description of the world, much like Adeyemi did with Mama Agba. (Refer to my Reading Response #1 for more explanation.) In my opinion, my choice of using this type of rhetoric and writing style has helped me effectively write about my world in a convincing manner. Thank you, Tomi Adeyemi for the help.

            As for my own use of rhetoric, the most notable one I implemented in creating this world were my shifts in tone as I talked about land and water, or in other words, Wysteria and Lysteria. For example, when describing Wysteria, I used negative connotative words, such as “grotesque” and lots of negatives, such as “never”, “much less”, and “impossible”. In contrast, when describing Lysteria, I bring up the idea of light and words indicating plenty and life, such as “plentiful”, “littered”, and “teeming”. These choices allowed me to paint Wysteria as the lesser of the two and Lysteria as the better of the two. Eventually, I almost reversed these descriptions when describing Wysteria’s new rise and Lysteria’s decline. These rhetorical choices help further the distinctions of rich vs. poor, old vs. new, and furthermore, good vs. evil. Such skills of choosing the right words to say and when to say it has great advantages as well in real life. For example, choosing one’s words and tone in an interview or networking event could mean the difference of a job offer and walking away empty handed. It can completely change how people see you as a first impression. Are you good or evil? Are you confident or nervous? These are just some of the few things an employer can tell just by the way you choose to speak. Tone and word choice are incredibly important, whether it’d be writing a book or interviewing a job. It is an incredible tool and mastering it could do no harm.

Project

The cursed ones. The ones who didn’t evolve. Why was I born like this?

Long before the current times, the world of Wysteria was peaceful and fair, but that did not mean it was not an easy life. The people of Wysteria lived like caveman, playing the survival game every day. Wysteria’s land was very primitive. It was mostly water with a few scattered islands of nearly uninhabitable land. All of the available land totaled to the size of current Australia. The islands of land were either mountainous range with peaks beyond the naked eye, or a dense forest teeming with the unknown. Those who chose to live on the mountains suffered year-round cold weather as the sun was far below them. And those who lived in the dense forest lived in constant thick fog conditions as the clouds laid on the forest floor. Yes, unlike your world, the clouds rested on the surface of the land and the sun hibernated under the water. Wystreia may have existed for millions of years, but new technology was never developed. The inconvenience station of the sun made it impossible to farm the land, much less allow natural vegetation to grow or animals to thrive. On land, the only food source were the rodents, skittering across the land and surface of the water. While the land had nothing, the water had an abundance of food. The sun shined into the water, allowing a plentiful of natural vegetation to thrive. Along with vegetation, it was home to wonderous and herds of sea animals. Crustaceans littered the water’s floor. Fish was in abundance always. Sea turtles and whales roamed the water in large herds. Sealions and dolphins zipped around the water with speed and ease. Everything was under the water. In order to survive, the Wysterian people lived off the water mostly. However, their reach into the water was severely limited by human breath. Every day, Wysterians dived into the water and gathered their food for the day, whether it’d be a small fish near the surface or even, just the tips of the blades of seaweed. They got progressively better in the water, but nowhere near the capabilities to pick up lobster on the water’s floor or catch tastier fish further below the surface. For the longest time, Wysteria’s people lived in hardship, never knowing what tribulations and food, if any, the day will bring.

Over time, their constant reliance and expertise in the water led to the Wysterian’s people evolution. The period of evolution was known as the Curse Lifting. For those who evolved, it represented the end of their struggle. Their evolution gave them powerful webbed feet to propel them throughout the water at alarming speeds and the ability to breathe under water indefinitely. No longer were the difficult days of swimming in the vast oceans for hours for just a bit of food or the agonizing wait for traps to fill up. Now, they could go further and for longer under water. They were able to catch larger fish that lasted the typical Wysteria family a whole day, or sometimes, even longer. Even more incredible, with their newfound abilities, Wysterians were able to wrestle with whales in the water and win. Whales, with an abundance of meat, skin, bone, and fat, were rare and catching one was no easy feat. However, the reward allowed a family to live in a food comatose state for months and materials to survive the land’s terrain and weather for years to come. If a family caught a whale, they were considered royalty. At least, back then, they were kind and shared their benefits to unfortunate ones like me. Why couldn’t they be like that today? Life on Wysteria drastically improved and no longer bound to everyday struggle, the people were much happier.

Soon enough, it no longer made sense to live on land. Evolved Wysterians chose to move under water. A new world below the water became the norm and life was much easier and prosperous. Down there, they were able to enjoy more space and warmer weather, provided by the undersea sun. This underwater world and mermaid-like people became known as Lysteria and the Lysterians. Although Lysterians lived throughout the water, most of them lived at Lysteria’s epicenter, Cerulean. Cerulean was the Florence during the Renaissance. It was the center of commerce. Every good available could be found here. Buildings in Cerulean, crafted by strong coral and limestone, towered and housed businesses and its people. Life in Cerulean was modern. New ideas flowed. Technology developed. Culture created. Just as life improved on land due to their evolution, the quality of life significantly improved to new heights in Lysteria, especially in Cerulean.

Cerulean seems so beautiful! Only if I could live there. However, an unfortunate few did not evolve. Known as the cursed ones, they were still bound to the hard-knock life of Wysteria’s land. Life would have been the same as the primitive years, but Lysteria threatened their way of life. Lysterians heavily discriminated against the cursed ones. They aimed to hurt, instead of providing aid to their unfortunate counterparts. Lysteria banned the cursed ones from using the water for food. Now, their only food source were the grotesque rodents. Not only were they hard to catch, they provided nearly enough food and materials. Illegal harvesting and hunting of the water’s resources became common and resulted in many unnecessary deaths by the hands of Lysterians. We are of the same people! How could they be so cruel? Due to such food scarcity, the land was a dangerous place, ridden with crime and constant stealing. It was every man for themselves on Wysteria. With more struggles, life was harder now than before the Curse Lifting. The remaining land people longed for their evolution to come, so they may be relieved from the chains of Wysteria’s curse. But it never came.

As hard times went on, Wysteria’s cursed one became restless. Wysteria and its people were angry at Lysteria. Incredibly angry at Lysteria. Fed up, Wysterians began dumping their trash and feces into Lysteria and Cerulean. Disrespect, you say? Well, we were disrespected first! When the injustice did not stop, tension grew even higher between the two worlds. In retaliation, the cursed ones brought upon an act of war against Lysteria. With the abundance of clouds on land, Wysterians used them to their advantage and clouded the sun. Lysteria no longer was enlightened by the sun. Lysteria, now in complete darkness, started failing. Sea life plants and animals died one by one. Cerulean life halted and became eerily quiet. Unrightfully so, Lysterians became angered as well. Wysteria and Lysteria are on the brink of war. War!

Unbeknownst to them, war would be devastating for both Wysteria and Lysteria. Wysterian cursed ones were skilled in survival. No Lysterian could compare to a Wysterian in strategy and combat. Lysteria may have weapons technology, but they no longer had means to upkeep and use them without the sun’s light. Both were disadvantaged and equally advantaged on land or in water, respectively. This could very much be a war with no end, and even if it does, there will only be misery and destruction at the end of it. You are right! War is not the answer! I must stop this! What must I do?

Reading Response #2: “The Hobbit” by J. R. R. Tolkien

Introduction

Remember, how I said I was not a fantasy fanatic? Well, here’s the proof. I’ve never read or even watched The Hobbit. Embarrassing, I know. I’ve been exposed to it only by word of friends and their fascination for it. Otherwise, that’s pretty much all I knew before diving into the first 3 chapters. Sure enough, I was once again not disappointed. It lives up to the expectations of what everyone raves about. From the first three chapters, I particularly enjoyed the push and pull of adventure in Bilbo—most likely, because I believe I am the same way. My initial answer is almost always a no, but like how Gandalf and the dwarves are, my friends will push me to a yes eventually. The book is so relatable, even in a drastically different world.

Rhetorical Analysis

To be honest, I’ve never felt so included in a book, especially one of this level of fantasy. Most of the times, fantasy books are simply told to you. However, J. R. R. Tolkien tells the story as if the characters were talking to you. In order to do this, I observed his decision to write The Hobbit in a very distinct third-person omniscient viewpoint through his unique usage of interactions and sentence structure. With techniques like these, he effectively engages his audience into the conversation of the story.

The third-person omniscient view is actually one of my favorite point of views to read from. As I’ve learned in my years of schooling, the third-person view uses pronouns, such as he and she, meaning that the perspective is from the outside. In literature, this translates into a narrator that is not part of the story. Furthermore, this narrator can take a limited view or, as in The Hobbit, an omniscient view. An omniscient view allows the narrator to tell the readers of feelings and thoughts of the characters. Doing so gives his audience a deeper connection and understanding of his characters. However, Tolkien does more than write it in that viewpoints, he adds more depth into it with his masterful rhetorical strategies.

One of these strategies is his deliberate interactions with the audience to comment on the actions of his characters. For example, when the dwarves came into unexpected into Bilbo’s house, Tolkien comments on the story line by asking his audience a question regarding the situation: “And what would you do, if an uninvited dwarf came and hung his things up in your hall without a word of explanation?”. Interactions like these, comparable to a motivational speaker, as if he was telling this story to a live audience and expecting his audience to think about it before he speaks again. Like I mentioned, these interactions commenting on the story allows his audience to feel as part of the story. Instead of merely being told the story, the audience is seemingly having a normal conversation.

For the most part, Tolkien keeps his level of the English language quite simple. After all, it is a children’s book. However, there is such complexity in his intentional usage of sentence structure, yet it is just as vernacular, as it is complex. Instead of using strict conventional sentences that seem to just describe and describe, Tolkien uses other methods. From the first line of the book, we see him break formal language rules: “In a hole in the ground…Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.” Here, we could see double prepositions, weird sentence starting, and short phrases thrown together. It almost seems like a run-on sentence. However, this is really the way everyday conversations happen. We go back and clarify in detail immediately, thus using double prepositions and multiple adjectives. We don’t always try to make clear, complete sentences, thus starting our thoughts with “Not”. We also don’t end our thoughts correctly; when talking, we all tend to ramble in longer sentences than need be. Such characteristics of human conversations, implemented here, makes for a natural conversation to happen. More importantly, it allows for effective storytelling.

Humans will be reading this book, so instead of making it seem verbatim, Tolkien makes conscious decisions to write his book as a conversation. An audience, including both children and adults, can appreciate this style choice. No longer are people just mindlessly looking at the text, The Hobbit readers will feel as if they are having their afternoon tea with friends. I’m sure a lot of us, bookworms, can appreciate that!

Reading Response #1: “Children of Blood and Bone” by Tomi Adeyemi

Introduction 

It has been nearly a year since I have read fantasy literature. I was not that excited to start rereading the genre, mainly because it was coupled with an assignment. Surprisingly though, I enjoyed my time reading Children of Blood and Bone by Tomi Adeyemi. There were many things to like about the book, even in only the first chapter. Often, I find that fantasy books start way too slow; they always drag the beginning out with background information. However, Tomi gets into the story right away, developing a captivating plot and world. In other words, I am hooked and want to continue reading it. For the first book of the class, I have to say I am not disappointed at all.

Rhetorical Analysis

As a high fantasy novel, the world is entirely unknown to us; thus, Tomi Adeyemi must establish a reliable description of Orisha. If the author wants her audience to keep reading, she needs to create an immediate connection and belief in the world. In order to do so, she makes strategic use of developing daunting anecdotal and convincing character hierarchy.

Tomi Adeyemi has chosen to use one of the most effective rhetorical strategies: anecdotal stories. Anecdotal stories have a way of creating great interest. Her decision to start with one did not disappoint. It grabbed my interest immediately. It had all the great characteristics of an anecdote trying to frame the larger story. It gives a background of the life before and rapidly changes tone to the more daunting current situation. By putting the anecdote at the beginning of the book, she shows an understanding of taking the perfect opportunity or kairos. As a result, this masterful decision has garnered her audience’s intense interest for Orisha; readers are now intrigued and must read on to learn and experience more.

In addition to herself, Adeyemi creates an equally reputable character to help develop Orisha: Mama Agba. Mama Agba seems to be the oldest and most experienced character. In other words, she was developed to have the most knowledge about Orisha than the other characters. She also brings an outside perspective to the maji and diviners. Unlike them, she could have “blend in with the other Orishans, [and] avoid the guards’ torture”; however, she chooses to help them and endure the consequences of doing so (27). We can see her knowledge when she tells the history of the maji and their downfalls. While it is established most of the girls know it themselves, they are still “unable to resist” hearing the tale, showing the respect held for her (23). Both of these cases help portray her as a character above the others and having a worldly view of Orisha, thus developing here as the least biased character. Due to this development, the audience experiences ethos for her and can trust her words and views. For example, through the other characters, we know that the king is evil; however, because of Mama Agba’s ethnic disconnect from the victims, it becomes even more credible when she confirms the notion. By establishing such a character within the literature, Adeyemi has created verisimilitude for her high fantasy world.

As part of her young adult audience, I would say she succeeded in convincing me of Orisha’s reality. More than that, she has managed to pique the interest of a non-follower of the genre. With rhetorical skills like this, it is no wonder she is now a best-selling author. She has definitely gained a fan.

Initial World-Building Thoughts

The cursed ones. The ones who didn’t evolve. Why was I born like this? Long before the current times, the world of Wysteria was peaceful and fair. But that did not mean it was not an easy life. Wysteria was very primitive. It was mostly water with a few scattered islands of nearly uninhabitable land. All of the available land, probably totaling to the size of current Australia, was either mountainous with peaks beyond the naked eye, or a dense forest teeming with the unknown. While the water had an abundance of food, the land only had rodents. In order to survive, they lived off the water mostly. Over time, their constant reliance and expertise in the water led to the Wysterian’s people evolution, known as the Lifting of the Curse. To many Wysterians, it represented the end of their struggle. Their evolution gave them powerful tails to propel them throughout the ocean and the ability to breathe under water. No longer were the difficult days of swimming in the vast oceans for hours for food or the agonizing wait for traps to fill up. With their evolution came Wysteria’s shift from the land to the water. A new world below the water became the norm and life was easy and prosperous down there. Wysterian water people thrived. However, an unfortunate few did not evolve. Known as the cursed ones, they were bound to the hard-knock life of Wysteria’s land still. Life would have been the same, but Wysteria’s new underwater life threatened their sea life diet. Now, their only food source were the rodents and a select few plants. Due to such food scarcity, the land was a dangerous place, ridden with crime and constant stealing. It was every man for themselves here on land. To make life even more difficult, Wysteria’s water people heavily discriminated against the cursed ones, thus never providing benefits of their evolution to their unfortunate counterparts. The land people longed for their evolution to come so they may be relieved from the chains of Wysteria’s curse, but it never came. Their only hope was to force their evolution through the magic potion, created by Wysteria’s free spirited birds. Where is it? How do I find it? I need it. And so, the search begins for the magic potion.

Introducing Myself through Fantasy

Fantasy? If it were a person, I would consider myself merely an acquaintance. Fantasy has many layers to it, and as a 19-year-old college student in a STEM major, I have only been able to peel very few of those layers. My experience with fantasy is very much limited. Still, my rare exposure to it has only brought me a better quality of life.

To put it most simply, fantasy is something that does not exist in my real life at that moment. I would consider fantasy anywhere from a fictional world to a plot of “normal” life that I am not experiencing. In other words, fantasy was anything that was not my reality. Because of such, my experiences with fantasy have almost always become my escape from the real world.

The closest I’ve ever been with fantasy was as a young child–the most innocent and imaginative stage of life. The television shows gave me a sense of what fantasy was like. I especially enjoyed Pokémon, Mickey Mouse Club House, and Winnie the Pooh. Ultimately, they brought upon my imaginative play beyond the television. For example, I used to fantasize about being a Pokémon trainer. Like most who watched the show, I, too, had a favorite Pokémon. Probably due to my lack thereof and desire of a pet dog, my favorite Pokémon was Growlithe. Often, in the series, this Pokémon belonged to the characters known as Officer Jenny. These duos most likely resemble motorcycle-riding police officers with a canine unit. So, to achieve my dream as a Pokémon trainer, I tried to bring this character to life. Every time, I rode my bike, I imagined myself on a motorcycle with a Growlithe running alongside me. I was such a weird kid. To me, this fantasy I created was both fun and enjoyable. I consider this reoccurring experience a defining part of what I feel is my childhood.

As my life became consumed with school, fantasy faded away, and so did my imaginative play. Although called epics, plays, and historical fiction, books I’ve read in my English classes became my definition of fantasy literature. Usually, I found myself enjoying the fantasy literature; however, the assignments that came with it always made it less enjoyable. Reading fantasy became something I no longer enjoyed.

Luckily, fantasy can still be enjoyed through other forms of media. Bless technology! For example, binging on Netflix is how I often choose to spend my “me” time. Whether it’d be a dystopian TV show or a drama, they always bring me a sense of enjoyable fantasy, as if I was a young kid again. Another form of media I utilize is Youtubers’ vlogs. Like most, I feel that a Youtuber’s life is ideal at my age. They had money and always seemed so happy in their videos. However, instead of feeling sorry for myself, I use it as motivation to keep going, so I can achieve the same level of success and happiness in the near future. Both alternatives allowed for a satisfying experience with fantasy to be still accessible in my life.

My experience with fantasy was quite typical. I never became a Star Wars fanatic or anything like that. I simply enjoyed and hated fantasy based on different experiences. Luckily, most have been rewarding and enjoyable; hence, my interest in it now. I will probably never study fantasy literature, but it does not hurt to learn more about myself through the eyes of fantasy by taking this course.

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